Why Are We Making Towers Where The Leopards Are?
A hair raising pursuit of a mythological creature into the urban unknown

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The conflict between industry and wilderness is the subject of London-based filmmaker Oliver Endersby’s latest film—taking place within the 'edge-lands' of England’s Lea Valley. Inspired by narratives surrounding the co-existence of humans and leopards in Mumbai, Endersby’s film “presents the audience with a series of camera ‘trap’ imagery, working with its surreal and lo-fi quality,” as the emerging director explains. “I wanted to suggest the presence of a mythical and nocturnal creature wandering among the rugged landscape,” explains Endersby. “In doing this the film asks us to consider the ways in which we attempt to distance ourselves from nature, and how we construct spaces that exist in limbo between city and country.” Oliver's film was made possible through a partnership between NOWNESS and the ICA—part of the Stop Play Record initiative which helps emerging filmmakers with a program of workshops, industry advice, screenings, and support. ___ Subscribe to NOWNESS here: http://bit.ly/youtube-nowness Like NOWNESS on Facebook: http://bit.ly/facebook-nowness Follow NOWNESS on Twitter: http://bit.ly/twitter-nowness Daily exclusives for the culturally curious: http://bit.ly/nowness-com Behind the scenes on Instagram: http://bit.ly/instagram-nowness Curated stories on Tumblr: http://bit.ly/tumblr-nowness Inspiration on Pinterest: http://bit.ly/pinterest-nowness Staff Picks on Vimeo: http://bit.ly/vimeo-nowness Subscribe on Dailymotion: http://www.dailymotion.com/nowness Follow NOWNESS on Google+: http://bit.ly/google-nowness


Tori S : This title is weird

Nathan Cuttica : I love it

yakuza petaling street : Come to think to the fact our local authorities/governments are very keen to built skyrocketing buildings/infrastructures where on the other hand, the basic humane facilities are neglected.

Adnan : Why are we killing animals for food when it is absolutely unnecessary?

Hitech Freakz : Money.